In another journal, for example, Artforum, it might not be
considered necessary to describe Spiegelman's most well known work.
In coherence with its target audience, the writing style of Modern Painters is journalistic, with
formal but accessible vocabulary. As is the case with many current art journals, each article
and writer is different in style within the parameters of the journal. To break up the text,
articles often have descriptive and light-hearted respites, 'As you stroll around town you get
the distinct impression that the video-poker machines outnumber the phoneboxes'
13
, 'Alongside
Kulik, the collective are arguably the Russian artworld's most famous shock jocks.'
It was not possible to obtain a style sheet from the publication but observations have been made.
English spelling conventions apply to Modern Painters, Italics are used for titles of artworks,
and full stops are not used in acronyms, for example, VIP. When writing dates, apostrophes are
not used either, for example, 80s, 1960s. Paragraphs are marked with a new line, the first of
which is indented. Matthew Collings' article, 'Onward Christian Surrealists'
14
uses subheadings, but this is not a necessary format for articles. Where present, subheadings
are capitalised. Single quotation marks are used for shorter quotations, where as longer quotes are
set apart from the text in an indented block.
Concerning interviews, the full name of each speaker is written on their first contribution to the
conversation, subsequent speech is identified by each speaker's initials and at the editing stage,
the interviewer's speech is emboldened. Quotation marks are not used in interviews. It is also
customary to write a short introduction about the person being interviewed.
Modern Painters, on the whole, requires contributing writers to include their referenced within
the main body of text, 'Regular Modern Painters contributor Morgan Falconer has written about "a
spirit of absence here, a ghostly echo of all the abandoned empty space that surrounds us every day"'
15
. Such references are often enclosed within parentheses or hyphens to minimize interruption with
the flow of the text for example, " the large amounts of cash that seem to be sloshing around parts
of it (Moscow famously boasts more billionaires -23- than any other city)."
16
Longer references and notes tend not to be included in articles within the publication.
The main area of interest in Modern Painters being international culture makes the publication ideal
for the proposed article on Kosovar contemporary art. The proposed article fits its tendency
towards lesser known subjects, particularly in the 'View From' section of the publication, as
there is very little published material on Kosovo with regard to contemporary art.
1 < http://www.modernpainters.co.uk > [November 2005]
2 Sam Jacob, 'Tonight's the Night: Rod Stewart at Blenheim Palace', Modern Painters, November (2005)
3 Vince Aletti, 'Erotic Wonderland: Fashion Photography and the Seduction of the Brand', Modern Painters, July/August (2005)
4 Jerry Saltz, 'Ups and Downs: The Good, the Bad and the Very Bad', Modern Painters, November (2005)
5 Jerry Saltz
6 Jerry Saltz
7 Mark Rappolt, 'Being Digital, John Maeda on Computers, Collectors, and Commerce', Modern Painters, November (2005)
8 Isa Genzken and Wolfgang Tillmans, 'In Conversation: Who Do You Love?', Artforum, November (2005)
9 Isa Genzken
10 Deborah Campbell, 'Tehran Unveiled: Can Iranian Artists Depict the Real Iran?', Modern Painters, October (2005)
11 Daphne Warburg Astor, 'Addis Ababa: Social Realism: Ethiopia's Emerging Contemporary Art Scene', Modern Painters, July/August (2005)
12 David D'Arcy, 'From the Garbage Can to the Gallery: Art Spiegelman Introduces the Bold Masters of Comic Strips', Modern Painters, November (2005)
13 Mark Rappolt, 'The Russians are Coming: Aren't They?', Modern Painters, November (2005)
14 Matthew Collings, 'Onward Christian Surrealists: I Know Jesus Loves me and I must Ape Robert Smithson's Mannerisms', Modern Painters, November (2005)
15 Karen Wright, 'Karen Wright on Product Placement, Memory and Change', Modern Painters, November (2005)
16 Rappolt
View Full Article
Modern Painters Website
Public Art Scene: Seattle's Olympic Sculpture
Park by Katy Jeffery
<
special options art history
< fineartforum home